{"id":1499,"date":"2008-11-28T22:26:21","date_gmt":"2008-11-28T12:26:21","guid":{"rendered":"http:\/\/slackbastard.anarchobase.com\/?p=1499"},"modified":"2008-11-28T22:26:21","modified_gmt":"2008-11-28T12:26:21","slug":"sharpies","status":"publish","type":"post","link":"https:\/\/slackbastard.anarchobase.com\/?p=1499","title":{"rendered":"Sharpies"},"content":{"rendered":"<p>The Skins &#8216;n&#8217; Sharps <a href=\"http:\/\/skinsnsharps.com\">site<\/a> is tops, and regularly updated. <\/p>\n<p><strong><a href=\"http:\/\/skinsnsharps.com\/history\">History<\/a><\/strong><\/p>\n<p>Skins \u2018n\u2019 Sharps\u2013original, tough, colourful and at times controversial. A Melbourne-based youth culture in the 70s like no other. Skins \u2018n\u2019 Sharps symbolised an exciting time for me as a teenager growing up in suburban Melbourne. Youth in the early 70s began to create their own significant look. They designed their own tailor-made clothes and handmade shoes, then combined them with off-the-shelf clothing to create their own individual look&#8230;<\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/JNcdUbVWH8E&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><\/object><\/p>\n<p>The song playing is &#8216;God&#8217; by <a href=\"http:\/\/www.milesago.com\/Artists\/wildcherries.htm\">The Wild Cherries<\/a> (feat. <a href=\"http:\/\/www.messandnoise.com\/articles\/825424\">Lobby Loyde<\/a> [1941&#8211;2007]): <\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/a3gN3_DOn3w&#038;hl=en&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><\/object><\/p>\n<p><em>See also<\/em> : <a href=\"http:\/\/slackbastard.anarchobase.com\/?p=388\">Blackburn Sth Sharps!<\/a> (September 12, 2006) | <a href=\"http:\/\/www.artshub.com.au\/au\/news.asp?sc=&#038;sId=153543&#038;sType=feature\">Tomorrow is Today: Australia in the psychedelic era 1966\u20131970<\/a> by Iain McIntyre, Arts Hub, December 20, 2006 | <em><a href=\"http:\/\/www.3cr.org.au\/way\/content_01.html\">Wild About You<\/a><\/em> by Iain McIntyre and Ian Marks:<\/p>\n<blockquote><p>When the subject of 1960s Aussie garage-punk\/R&#038;B\/psych music comes up in conversation, most aficionados of the genre will grin knowingly, nod enthusiastically and immediately rattle off a list of their personal fave raves. A list that inevitably includes: the Missing Links (Wild About You, You\u2019re Driving Me Insane), the Purple Hearts (Early in the Morning, Of Hopes &#038; Dreams &#038; Tombstones), Toni McCann (No, My Baby), the Throb (Black, Fortune Teller), the Wild Cherries (That\u2019s Life, Krome Plated Yabby), the Black Diamonds (I Want Need Love You, See the Way), the Elois (By My Side), the Atlantics (Come On, It\u2019s a Hard Life), the Moods (Rum Drunk), the Pink Finks (Louie Louie), the Morloch (Time Machine), the Running Jumping Standing Still (Diddy Wah Diddy, My Girl), the Lost Souls (This Life of Mine) and a hundred others besides. Not a bad gallery of legendary names and awesome recordings, hey?<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>The Skins &#8216;n&#8217; Sharps site is tops, and regularly updated. History Skins \u2018n\u2019 Sharps\u2013original, tough, colourful and at times controversial. A Melbourne-based youth culture in the 70s like no other. Skins \u2018n\u2019 Sharps symbolised an exciting time for me as &hellip; <a href=\"https:\/\/slackbastard.anarchobase.com\/?p=1499\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,11],"tags":[],"class_list":["post-1499","post","type-post","status-publish","format-standard","hentry","category-history","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s6AyE-sharpies","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/posts\/1499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1499"}],"version-history":[{"count":0,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/posts\/1499\/revisions"}],"wp:attachment":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}