{"id":45,"date":"2006-01-04T00:27:00","date_gmt":"2006-01-03T14:27:00","guid":{"rendered":"http:\/\/slackbastard.anarchobase.com\/?p=45"},"modified":"2006-05-01T01:30:53","modified_gmt":"2006-04-30T15:30:53","slug":"knabb-rexroth-kerouac","status":"publish","type":"post","link":"https:\/\/slackbastard.anarchobase.com\/?p=45","title":{"rendered":"Knabb, Rexroth, Kerouac"},"content":{"rendered":"<p><a href=\"http:\/\/photos1.blogger.com\/blogger\/7318\/426\/1600\/rexroth3.jpg\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/photos1.blogger.com\/blogger\/7318\/426\/320\/rexroth3.jpg\" \/><\/a>&#8220;One of the most controversial points in Kenneth Rexroth&#8217;s life was his relation with Jack Kerouac. He acknowledged Kerouac&#8217;s gifts as an engaging autobiographical writer in the tradition of Henry Miller and Thomas Wolfe, but he made such caustic criticisms of his sentimentality, irresponsibility and political cluelessness that many Kerouac fans have never forgiven him (which is one of the main reasons that Rexroth&#8217;s significance has been played down in so many accounts of the &#8220;Beat era&#8221;). I happen to think that most of his criticisms were quite justified, though I will admit that he occasionally goes a bit overboard. See what you think.&#8221;<\/p>\n<p>Rexroth&#8217;s three reviews of Kerouac&#8217;s books are now <a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/kerouac.htm\">online<\/a>.<\/p>\n<p>Four Rexroth articles on jazz poetry have also been <a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/jazz-poetry.htm\">added<\/a>.<\/p>\n<p>* * *<\/p>\n<p>Rexroth essays of related interest at the same website:<\/p>\n<p><a href=\"http:\/\/www.bopsecrets.org\/rexroth\/beats.htm\">Disengagement: The Art of the Beat Generation<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/jazz.htm\">Some Thoughts on Jazz as Music, as Revolt, as Mystique<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/jazz2.htm\">Five More Articles on Jazz<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/songs.htm\">Subversive Aspects of Popular Songs<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/sf\/1975.htm\">The San Francisco Renaissance, the Beats, Haight-Ashbury<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/american-poetry.htm\">The New American Poetry<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/patchen.htm\">Kenneth Patchen, Naturalist of the Public Nightmare<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/ginsberg.htm\">Allen Ginsberg in America<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/whalen.htm\">The Authentic Joy of Philip Whalen<\/a><br \/>\n<a href=\"http:\/\/www.bopsecrets.org\/rexroth\/essays\/snyder.htm\">Gary Snyder: Smokey the Bear Bodhisattva<\/a><\/p>\n<p><a href=\"http:\/\/www.bopsecrets.org\">BUREAU OF PUBLIC SECRETS<\/a><br \/>\nP.O. Box 1044, Berkeley CA 94701, USA<\/p>\n<p>&#8220;Making petrified conditions dance by singing them their own tune.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;One of the most controversial points in Kenneth Rexroth&#8217;s life was his relation with Jack Kerouac. He acknowledged Kerouac&#8217;s gifts as an engaging autobiographical writer in the tradition of Henry Miller and Thomas Wolfe, but he made such caustic criticisms &hellip; <a href=\"https:\/\/slackbastard.anarchobase.com\/?p=45\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,6,11,7],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","hentry","category-anarchism","category-history","category-music","category-poetry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6AyE-J","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45"}],"version-history":[{"count":0,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=\/wp\/v2\/posts\/45\/revisions"}],"wp:attachment":[{"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/slackbastard.anarchobase.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}