God Hates Haiti (II)

After Pat Robertson does what crazy mentalists do, journalist Lisa Miller responded, pointing out that Haiti is “surely a Job among nations” (Why God Hates Haiti, Newsweek, January 15, 2010). After listing the appalling conditions Haitians endure and the recent series of (quasi-)natural disasters that preceded this latest devastating earthquake, Miller writes: “This litany doesn’t even touch on Haiti’s disastrous political history, most notably the reign of François (Papa Doc) Duvalier, who assassinated and tortured more than 30,000 in the 1960s.”

The Duvalier dynasty (Papa Doc later being joined by his son Baby Doc) was established in 1957, and lasted three decades. It enjoyed US support, and US elites have profited massively from Haiti’s impoverishment. This, along with the centuries of imperialist domination of the peoples of Hispaniola (Haiti and the Dominican Republic) is not touched on in Miller’s response to Robertson’s idiocy.

At least Pontius Pilate had the decency to wash his hands in acknowledgment of his crimes.

See also : Our Role in Haiti’s Plight, Peter Hallward, MRZine, January 16, 2010 | Haiti: Fast Facts from UNICEF.

Miami Autonomy & Solidarity / Miami Autonomía y Solidaridad / Miaymi Otonomi ak Solidarite has issued a Call for Solidarity and Funds for the Working People of Haiti! by way of Batay Ourviye.

U.S. relations with Haiti are not a thing of yesterday, and show no sign of fundamental change. They go back 200 years, to the days when the Republic that had just won its independence from Britain joined the imperial powers in their campaign to quell Haiti’s slave rebellion by violence. When the rebellion nevertheless succeeded, the U.S. exceeded all others in the harshness of its reaction, refusing to recognize Haiti until 1862, in the context of the American civil war. At that moment, Haiti was important for its strategic location and as a possible dumping ground for freed slaves; Liberia was recognized in the same year, for the same reasons. Haiti then became a plaything for U.S.-European power politics, with numerous U.S. interventions culminating in Woodrow Wilson’s invasion of Haiti and the Dominican Republic, where his warriors — as viciously racist as the Administration in Washington — murdered and destroyed, reinstituted virtual slavery, dismantled the constitutional system because the backward Haitians could not see the merits of turning their country into a U.S. plantation, and established the National Guards that held both countries in their grip after the Marines finally left.

Wilson’s thuggery has entered history in two different versions: here and there. In the U.S., the events figure in the amusing reconstructions entitled “history” as an illustration of U.S. “humanitarian intervention” and its difficulties (for us). Haitians have somewhat different memories. “Most observers agree that the achievements of the occupation were minor; they disagree only as to the amount of damage it inflicted,” Trouillot writes under the heading “unhealed sores.” The damage included the acceleration of Haiti’s economic, military, and political centralization, its economic dependence and sharp class divisions, the vicious exploitation of the peasantry, the internal racial conflicts much intensified by the extreme racism of the occupying forces, and perhaps worst of all, the establishment of “an army to fight the people.” “The 1915-1934 U.S. occupation of Haiti,” he writes, “left the country with two poisoned gifts: a weaker civil society and a solidified state apparatus.

A year ago, after enduring almost two years of renewed state violence, grassroots organizations, priests in hiding, tortured labor leaders, and others suffering bitterly from the violence of the security forces expressed marked opposition to the plan to dispatch 500 UN police to the terrorized country, seeing them as a cover for a U.S. intervention that evokes bitter memories of the Marine occupation. If ever noted, such reactions may be attributed to the fact that “even a benevolent occupation creates resistance…among the beneficiaries” (Harvard historian David Landes, writing about the Marine occupation). Or to the deficiencies of people who need only a new culture and more kind tutelage of the kind he provided as director of the USAID mission in 1977-79, Lawrence Harrison writes in a “think piece” on Haiti’s problems in which the U.S. military occupation merits only the words: “And some of the Marines abused their power.”

Poor and suffering people do not have the luxury of indulging in fairy tales. Not uncommonly, their own experience gives them a grasp of realities that are well concealed by the intellectual culture. The usual victims can not so easily dismiss the record of U.S. power, which leaves little doubt that U.S. military intervention in Haiti would be the death knell for any form of democracy that “risks upsetting the traditional structures of power with which the United States has long been allied.” Haitians who have lost all hope for restoration of democracy might support a military intervention that could, perhaps, reduce terror and torture. But that is the most that can be realistically expected.

The military occupation left the island under U.S. control and largely U.S.-owned. The killer and torturer Trujillo took over the Dominican Republic, remaining a great friend until he began to get out of hand in the 1950s. In Haiti, Washington reacted with some ambivalence to the murderous and brutal dictatorship of “Papa Doc” Francois Duvalier, finding him a bit too independent for its taste. Nevertheless, Kennedy provided him with military assistance, in line with his general program of establishing firm U.S. control over the hemisphere’s military and police as they undertook the task of “internal security” that he assigned them in a historic 1962 decision. Kennedy also provided aid for the Francois Duvalier International Airport in exchange for the Haitian vote to expel Cuba from the OAS. When “Baby Doc” Jean-Claude took over in 1971, relations rapidly improved, and Haiti became another “darling” of the business community, along with Brazil under the neo-Nazi generals and other right-thinking folk. USAID undertook to turn Haiti into the “Taiwan of the Caribbean,” forecasting “a historic change toward deeper market interdependence with the United States,” Trouillot observes. U.S. taxpayers funded projects to establish assembly plants that would exploit such advantages as enormous unemployment (thanks in part to USAID policies emphasizing agroexport) and a workforce — mainly women, as elsewhere considered more docile — with wages of 14 cents an hour, no unions, ample terror, and the other usual amenities. The consequences were profits for U.S. corporations and their Haitian associates, and a decline of 56% in wages in the 1980s. In short, if not Taiwan exactly, Haiti was an “economic miracle” of the usual sort.

Haiti offered the Reaganites yet another opportunity to reveal their understanding of democracy enhancement in June 1985, when its legislature unanimously adopted a new law requiring that every political party must recognize President-for-Life Jean-Claude Duvalier as the supreme arbiter of the nation, outlawing the Christian Democrats, and granting the government the right to suspend the rights of any party without reasons. The law was ratified by a majority of 99.98%. Washington was deeply impressed, as much so as it was when Mussolini won 99% of the vote in the March 1934 election, leading Roosevelt’s State Department to conclude that the results “demonstrate incontestably the popularity of the Fascist regime” and of “that admirable Italian gentleman” who ran it, as Roosevelt described the dictator. These are among the many interesting facts that might be recalled as neo-Fascists now take their place openly in the political system that was reconstructed with their interests in mind as Italy was liberated by American forces 50 years ago. Curiously, all this escaped attention during the D-Day anniversary extravaganza, along with much else that is too enlightening.

The 1985 steps to enhance democracy in Haiti were “an encouraging step forward,” the U.S. Ambassador informed his guests at a July 4 celebration. The Reagan Administration certified to Congress that “democratic development” was progressing, so that military and economic aid could continue to flow — mainly into the pockets of Baby Doc and his entourage. It also informed Congress that the human rights situation was improving, as it was at the time in El Salvador and Guatemala, and today in Colombia, and quite generally when some client regime requires military aid for “internal security.” The House Foreign Affairs Committee, controlled by Democrats, had given its approval in advance, calling on Reagan “to maintain friendly relations with Duvalier’s non-Communist government.”

To justify their perception of an “encouraging step forward” in “democratic development,” the Reaganites could have recalled the vote held under Woodrow Wilson’s rule after he had disbanded the Haitian parliament in punishment for its refusal to turn Haiti over to American corporations under a new U.S.-designed Constitution. Wilson’s Marines organized a plebiscite in which the Constitution was ratified by a 99.9% vote, with 5% of the population participating, using “rather high handed methods to get the Constitution adopted by the people of Haiti,” the State Department conceded a decade later. Baby Doc, in contrast, allowed a much broader franchise, though it is true that he demanded a slightly higher degree of acquiescence than Wilsonian idealists, Mussolini, and New Dealers. A case could be made, then, that the lessons in democracy that Washington had been laboring to impart were finally sinking in.

These gratifying developments were short-lived, however. By December 1985, popular protests were straining the resources of state terror. What happened next was described by the Wall Street Journal with engaging frankness: after “huge demonstrations,” the White House concluded “that the regime was unraveling” and that “Haiti’s ruling inner circle had lost faith in” its favored democrat, Baby Doc. “As a result, U.S. officials, including Secretary of State George Shultz, began openly calling for a `democratic process’ in Haiti.” Small wonder that Shultz is so praised for his commitment to democracy and other noble traits.

The meaning of this call for democracy was underscored by the scenario then unfolding in the Philippines, where the army and elite made it clear they would no longer support another gangster for whom Reagan and Bush had expressed their admiration, even “love,” not long before, so that the White House “began openly calling for a `democratic process'” there as well. Both events accordingly enter the canon as a demonstration of how we “served as inspiration for the triumph of democracy in our time” in those wondrous years (New Republic).

Washington lent its support to the post-Duvalier National Council of Government (CNG), providing $2.8 million in military aid in its first year, while the CNG, “generously helped by the U.S. taxpayer’s money, had openly gunned down more civilians than Jean-Claude Duvalier’s government had done in fifteen years” (Trouillot). After a series of coups and massacres, Reagan’s Ambassador explained to Human Rights investigators that “I don’t see any evidence of a policy against human rights”; there may be violence, it is true, but it is just “part of the culture.” We can only watch in dismay and incomprehension.

Haitian violence thus falls into the same category as the atrocities in El Salvador at the same time, for example, the massacre at El Mozote, one of the many conducted by U.S.-trained elite battalions — and one of the few to be admitted to History, after exposure by the UN Truth Commission. Given their origins in U.S. planning, these routine atrocities must also be “part of the culture.” Or perhaps “There is no one to blame except the gods of war,” as Christopher Lehmann-Haupt of the New York Times observed, reviewing the “fair-minded” account by Mark Danner which “aptly denotes” the “horrifying incident” as “a central parable of the cold war” for which blame is shared equally by Salvadorans on all sides, murderers and victims alike. In contrast, atrocities organized and directed by the Soviet Union always seemed to have more determinable origins, for some reason…

~ Noam Chomsky, ‘Democracy Enhancement’, Z Magazine, May-August, 1994.

Posted in Broken Windows, Death, History, State / Politics, War on Terror | Tagged | Leave a comment

Victorian Labor College : 1917–

Huh.

I picked up a copy of Labor Review recently. No.47 (2009) to be exact. It’s edited by Chris Gaffney and published by a mob called the ‘Victorian Labor College’.

The Labor Review is a rather odd little zine, with 50 or so pages of essays (all of which, bar one, originally having been published elsewhere) and featuring a 56-page ‘Advertising Supplement’ “solicited from organisations and businesses on the understanding that no special considerations other than those normally accepted in respect of commercial dealings with [sic] be given to any advertiser”. The reader is also asked to note that the “Victorian Trades Hall Council is not associated” with the Review, it being the sole responsibility of the College. Finally, there is a list of unions on the contents page, each of which presumably supports either the Review, the College, or both. What’s slightly odd about this list of ten is that a number have ceased to exist as independent unions, or have amalgamated into other forms.

    The ‘Clothing Trades Union‘ (aka the ‘Clothing & Allied Trades Union of Australia’) joined with the ‘Amalgamated Footwear & Textile Workers’ Union of Australia’ to form the ‘Textile, Clothing and Footwear Union of Australia‘ (TCFUA) in 1992.

    The ‘Electrical Trades Union‘ is the Electrical Trades’ Union (ETU).

    The ‘Federated Liquor Trades‘ [Union] is presumably a reference to the ‘Federated Liquor & Allied Industries Employees Union of Australia’ (1958–1992); it amalgamated with the ‘Miscellaneous Workers’ Union’ to form the ‘Australian Liquor Hospitality & Miscellaneous Workers’ Union‘ (LHMU).

    The ‘Food Preservers’ Union of Australia’ (1929–1992) amalgamated with the ‘Confectionery Workers’ Union’ to become the Food Preservers’ Division of the ‘Confectionery Workers’ & Food Preservers Union of Australia’ (CW&FPU). In 1994, the CW&FPU amalgamated with the ‘Automotive Metals and Engineering Union’ to form the Automotive Food Metals and Engineering Union; from 1995 it has been known as the Food and Confectionery Division of the ‘Australian Manufacturing Workers’ Union‘ (AMWU).

    The ‘Furnishing Trade Union‘ — aka the ‘Federated Furnishing Trade Society of Australasia’ — was open for business until 1993, when it amalgamated with the ‘Federated Brick Tile & Pottery Industrial Union of Australia’ and the ‘Operative Painters’ & Decorators’ Union of Australia’ into the ‘Construction Forestry Mining & Energy Union‘ (CFMEU).

    The ‘Meat Workers’ Union‘ is presumably a reference to the ‘Australasian Meat Industry Employees’ Union‘ (AMIEU).

    The [Amalgamated] ‘Metal Workers’ Union‘ eventually found its way — via the ‘Metals and Engineering Workers’ Union’ (1991), the ‘Automotive Metals & Engineering Union’ (1993), and the ‘Automotive Food Metals & Engineering Union’ (1994) — to the AMWU.

    The ‘Public Transport Union‘ is otherwise known as the ‘Australian Rail Tram & Bus Industry Union‘ (RTBU; established 1993).

    The ‘Tramway Workers’ Union‘ may be a reference to the ‘Australian Motor Omnibus and Tramway Employee Association’ (ATMOEA). In 1993, the ATMOEA merged with the ‘Australian Federated Union of Locomotive Enginemen’, the ‘National Union of Rail Workers’ and the ‘Australian Railways Union’ to form the RTBU.

    the ‘Vehicle Builders’ Union‘ is presumably a reference to the ‘Vehicle Builders Employees Federation of Australia’, born in 1938 and dying in 1993, when the VBEF amalgamated with the ‘Metals and Engineering Workers’ Union’ to form the ‘Automotive Metals and Engineering Union’ (AMEU). In 1994, following an amalgamation with the ‘Confectionery Workers’ & Food Preservers’ Union of Australia’, the AMEU became known as the ‘Automotive Food Metals and Engineering Union’ (AFMEU); in 1995 the AFMEU amalgamated with the ‘Printing and Kindred Industries Union’ to become the ‘Automotive Food Metals Engineering Printing and Kindred Industries Union’ — otherwise known as the AMWU.

    See also : Australian Trade Union Archives.

So: the VLC was established in 1917:

…’for the purpose of Independent Working Class Education’, the Victorian Labor College was based on the British model. Its socialist purpose was personified in founding members like W.P. Earsman and Guido Baracchi, who taught classes on industrial strategy and Marxist economics. With the support of trade unions and the Victorian Trades Hall Council, it added public speaking, labour history and politics to the syllabus and maintained a bookstall at its Trades Hall headquarters. Sustained by indefatigable supporters like the Brodneys and, later, Ted Tripp, it conducted a viable program of classes until the late 1970s when educational, political and labour market changes diminished its earlier relevance. It was revived in the mid-1980s, publishes its Labor Review in a new format and conducts a weekly program on community radio.

In 1917, there were lots and lots and lots of unions: something like four of five hundred (across Australia). In 2010, there are a lot less, although these are (in general) super duper unions, with large memberships. (The SDA, which claims to have 230,000 members, is the largest trade union affiliated to the ALP.) Relative to the working population however, union membership has been in free-fall for decades: “The past two decades have seen a dramatic decline in trade union membership rates across Australia. This decline has occurred at a time of significant change in the industrial relations environment. In 1986, 46% of employees belonged to a trade union. By 2007 the rate of membership had fallen to 19% of employees.” In terms of financial stability, however, this is not necessarily a problem, as membership is concentrated among older, male, full-time employees in key industries, whose financial contributions to superannuation funds is massive, and whose nominal representatives ensure that much union activity is dedicated to the passionless administration of these symbols of abstract, surplus value. At the same time, government pensions ensure hundreds of thousands of elderly workers without access to ‘super’ enjoy occasional kerosene baths and forgotten lives of quiet desperation and poverty before overly-late, unlamented deaths.

On a happier note, law-talking guys are girls are generally doing well. Thus, most if not all major unions are dominated by the ALP, and help to provide the party of labour/working families with an electoral base, funding, and an endless supply of bottoms to occupy seats in parliaments. Speaking of which, among the nineteen articles re-published in Labor Review No.47 is Has working class consciousness collapsed? The ’crisis of the working class subject’, Phil Hearse (International Viewpoint Online):

Class consciousness: ”The awareness of individuals in a particular social class that they share common interests and a common social situation. Class consciousness is associated with the development of a ‘class-for-itself’ where individuals within the class unite to pursue their shared interests.” ~ Online Dictionary of Social Sciences

The crisis of working class representation is a familiar theme in the left internationally, the idea that because of the shift to the right of mass social democratic and Stalinist parties, or because of their collapse, the working class lacks a political force that can defend its interests in the national political domain.

In many countries efforts have been made to create, or begin to create, broad left parties that can begin to resolve this crisis. However the idea of the ‘crisis of the working class subject’ takes the analysis one step further, saying in effect that class consciousness has declined to such a degree that the overwhelming majority of working class people have no consciousness of themselves as part of a class that has its own interests other than those of the ruling class; using Lukacs’ distinction the working class is a “class in itself” but no longer a “class for itself”. If this is correct of course then it has big implications for socialist analysis and strategy…

Heap ’em big implications, one aspect of which is not addressed in Hearse’s article but which is of relevance to his discussion, and that is (crudely) the emergence of other forms of collective identity/self-identification which are not class-based but rooted in other conceptions of self and society: in particular ethnicity, nationality, gender and sexuality; debates which are typically associated with the emergence of ‘new’ social movements in the 1960s and ’70s, the decline of industrial capitalism in the West, and so on.

Of which, more later, but in the meantime, the International Wing Chun Academy International Window Cleaning Association International Writing Centers Association International Women’s Coffee Alliance Independent Working Class Association has some thoughts: Multiculturalism & identity politics – the reactionary consequences and how they can be challenged. Note that in Australia (as presumably, elsewhere) state doctrine on multiculturalism has been the subject of leftist critique since its inception, and generally speaking on the basis of its corrosive effects upon class consciousness and solidarity.

Whatever.

See also : SDA : Australia’s Worst Union? (November 30, 2009) | Union Mergers in Australia: Top-Down Strategic Restructuring, Working Paper No.80, National Key Centre in Industrial Relations, Melbourne, April 2002 | The Changing Roles of Public Sector Unionism, Eve Anderson, Gerard Griffin and Julian Treicher, Working Paper No.83, National Key Centre in Industrial Relations, Melbourne, December 2002 | The Fall and Rise of Organising in a Blue Collar Union, Gerard Griffin and Rosetta Moors, Working Paper No.84, National Key Centre in Industrial Relations, Melbourne, December 2002.

“A dose of libertarianism would enhance our democracy” — and if my aunt had balls, she’d be my uncle. (October 20, 2009) | Social *cough* democracy… (September 30, 2009) | Melbourne : ALP ~versus~ Greens (August 24, 2009) | Bump Me Into Parliament (July 2, 2009) | The ALP facing extinction? (January 31, 2009) | Michael Costa is an odd fellow (May 10, 2008) | Combet bumped into Parliament (May 5, 2007).

    The VLC sponsors Keep Left on 3CR, Fridays, 10–11am. Write: PO Box 12262, A’Beckett Street PO, Melbourne, Victoria, 8006. Email: chrisgaffney[at]optusnet[dot]com[dot]au.
Posted in History, State / Politics, Trot Guide | Tagged | Leave a comment

Last drinks at The Tote!

EEEK!

It’s last drinks at the Tote. This weekend.

I know it’s sudden. I didn’t plan it to be like that.

I can’t afford to keep fighting Liquor Licensing. The “high risk” conditions they have placed on the Tote’s license make it impossible to trade profitably. I can’t afford the new “high risk” fees they have imposed. I can’t afford to keep fighting them at VCAT. I can’t renegotiate a lease in this environment.

So, come into the Tote this weekend to say farewell to the sad staff and to feel the sticky carpet for the last time.

I don’t believe the Tote is a “high risk” venue, in the same category as the nightclubs that make the news for all the wrong reasons. Despite being on a rough little corner of Collingwood, the Tote has had very, very few incidents. As a local police officer once said, “The Tote’s the quietest pub in the area.” (!).

It’s not dumb luck that the Tote has escaped serious violence. I believe the business has been run responsibly. People don’t come to the Tote to fight. They come because they have a passion for music and love to be in an historic venue that reeks of that same passion.

The Tote is (sorry, was) an important cornerstone of Melbourne’s rich and diverse music community. It’s too late to save the Tote but not too late to try and save other inner city venues that are feeling the same pressures.

I know the sudden closure affects a lot of people. Most importantly, the hard-working staff that are being forced onto the dole queue. And the bands and artists that have had their gigs pulled from under them.

Anyway, I don’t want to get maudlin (or viciously angry). The era of the Tote is over. If you love the place, come and have a beer with us this weekend.

Regards,
Bruce Milne

@ Mess+Noise @ The Age | Save The Tote | Iconic Melbourne music venue The Tote will close its doors for the last time this weekend. License Nominee Bruce Milne explains why to Bill Birtles from ABC News. ABC Melbourne. [Head bang : rob.]

The Tote closes: Licensing over-regulation kills another iconic venue, Ben Eltham | Licensing Killed The Pub Rock Star, Mel Campbell.

Posted in Collingwood, Death, History, Music | Tagged | 6 Comments

God Hates Haiti

Haiti disaster blamed on pact with devil
ABC

American televangelist Pat Robertson has blamed the devastating earthquake in Haiti on a pact between the impoverished nation’s founders and the devil.

C.L.R. JamesThe Black Jacobins, first published in 1938, was a forbidden book in South Africa until the recent dismantling of apartheid. It’s not hard to see why. James researched his account of Toussaint L’Ouverture and the Haitian slave uprising with meticulous care. It remains a masterpiece of historical scholarship, but the book was designed to be a weapon for revolutionary combat. James wrote it while active in the International African Service Bureau — the organization founded by his childhood friend George Padmore, the godfather of Pan-Africanism. By narrating “the first successful slave revolt in history,” he meant to provide a tool kit of ideas and information for future liberation movements. Apartheid’s censors knew what they were doing when they banned the book.

Yet The Black Jacobins did find readers in South Africa. Copies were scarce and the potential audience was large, so people had to improvise. One circle of activists typed up key passages and distributed them in carbon copies. Another group tore James’ thick book into clusters of a few pages, to be circulated a little at a time.

Members would study each fragment closely and then pass it on to the next eager reader. They doubtless memorized large parts of the book this way, while waiting for the next installment to reach them. Few writers ever find their work treated with such passionate intensity. Naturally, James was pleased to learn about his South African readers. The very ingenuity and seriousness with which they handled the book were proofs of a lesson James sought to teach, over and over again, throughout his work: In their efforts to free themselves, to reshape their world into a more livable place, people display a creative drive that now and then directs history into new courses.

After his death in London in 1989, tributes to James came from all corners of the African diaspora, and beyond. It is evidence of the scope of his life and work that, over the past half-dozen years, new books by and about James have been pouring off the presses…

The food crisis erupted first and most dramatically in Haiti in early 2008. Like Bangladesh, Haiti today is a symbol of misery and despair. And, like Bangladesh, when European explorers arrived, the island was remarkably rich in resources, with a large and flourishing population. It later became the source of much of France’s wealth. I will not run through the sordid history, but the current food crisis can be traced directly to 1915, Woodrow Wilson’s invasion: murderous, brutal, and destructive. Among Wilson’s many crimes was dissolving the Haitian Parliament at gunpoint because it refused to pass “progressive legislation” that would have allowed U.S. businesses to take over Haitian lands. Wilson’s Marines then ran a free election, in which the legislation was passed by 99.9 percent of the 5 percent of the public permitted to vote. All of this comes down through history as “Wilsonian idealism.”

Later, the United States Agency for International Development (USAID) instituted programs to turn Haiti into the “Taiwan of the Caribbean,” by adhering to the sacred principle of comparative advantage: Haiti must import food and other commodities from the United States, while working people, mostly women, toil under miserable conditions in U.S.-owned assembly plants. Haiti’s first free election, in 1990, threatened these economically rational programs. The poor majority entered the political arena for the first time and elected their own candidate, a populist priest, Jean-Bertrand Aristide. Washington adopted the standard operating procedures for such a case, moving at once to undermine the regime. A few months later came the anticipated military coup, and the resulting junta instituted a reign of terror, which was backed by Bush senior and even more fully by Clinton, despite pretenses. By 1994 Clinton decided that the population was sufficiently intimidated and sent U.S. forces to restore the elected president, but on the strict condition that he accept a harsh neoliberal regime. In particular, there must be no protection for the economy. Haitian rice farmers are efficient, but cannot compete with U.S. agribusiness that relies on huge government subsidies, thanks largely to Reagan, anointed High Priest of free trade with little regard to his record of extreme protectionism and state intervention in the economy.

There is nothing surprising about what followed: a 1995 USAID report observed that the “export-driven trade and investment policy” — that Washington mandated — will “relentlessly squeeze the domestic rice farmer.” Neoliberal policies dismantled what was left of economic sovereignty and drove the country into chaos, accelerated by Bush junior’s blocking of international aid on cynical grounds. In February 2004 the two traditional torturers of Haiti, France and the United States, backed a military coup and spirited President Aristide off to Africa. Haiti had, by then, lost the capacity to feed itself, leaving it highly vulnerable to food price fluctuation, the immediate cause of the 2008 food crisis.

The story is fairly similar in much of the world. In a narrow sense, it may be true enough that the food crisis results from Western lack of concern: a pittance could overcome its worst immediate effects. But more fundamentally it results from dedication to the basic principles of business-run state policy, the Adam Smith generalization. These are all matters that we too easily evade — along with the fact that bailing out banks is not uppermost in the minds of the billion people now facing starvation, not forgetting the tens of millions enduring hunger in the richest country in the world.

Also sidelined is a possible way to make a significant dent in the financial and food crises. It is suggested by the recent publication of the authoritative annual report on military spending by SIPRI, the Swedish peace research institute. The scale of military spending is phenomenal, regularly increasing. The United States is responsible for almost as much as the rest of the world combined, seven times as much as its nearest rival, China. There is no need to waste time commenting…

Posted in !nataS, History, State / Politics | Tagged | 4 Comments

Zygosis : John Heartfield and the Political Image

“1991 documentary tracing the development of Photomontage, based on the pioneering work of John Heartfield (Helmut Herzfeld), through to the contemporary use of these techniques in advertising and video. The film looks at the work of John Heartfield, particularly that aimed against Hitler and the Nazis, and takes a radical look at Photomontage, with the animation of archive material, contemporary interviews and footage shot in Berlin during the opening of the Berlin Wall. Music is by Click Click.”



See also : Heartfield versus Hitler: Gallery / @ Towson | Mussolini Headkick : Materazzi Headbutt? (July 12, 2006).

Watch them all fall down
Revolution, the only solution
The armed response of an entire nation
Revolution, the only solution
We’ve taken all your shit, now it’s time for restitution…

Sue Taylor, ‘Heartfield’s photo-Grenades…’, Art in America, June-July 2006:

On the night of Apr. 16, 1933, John Heartfield climbed out a window of his apartment on Potsdamer Street and jumped from the first-floor balcony, narrowly escaping the SS men who pursued him. Fleeing Berlin, he crossed the Sudeten Mountains on foot, bound for the temporary safety of Prague. A Communist and a Jew, Heartfield (1891-1968) was anathema to the Nazis; his many political offenses included the notorious photomontage he had published in the AIZ (Arbeiter Illustrierte Zeitung, or Workers Illustrated News), with the caption “Adolf, the Superman: Swallows Gold and Spouts Junk.” The image X-rays the pernicious orator’s chest to expose a column of coins in place of an esophagus and a swastika instead of a heart. The ingested gold also resembles a spine, suggesting that capitalist wealth formed the literal backbone of Hitler’s National Socialism. With this conceit, Heartfield boldly put the lie to Nazi claims to represent Germany’s working class. When the picture appeared as a poster during the national elections in 1932, fistfights broke out in the streets between outraged Hitler supporters and their Communist opponents.

Long admired for his innovations in photomontage and graphic design, Heartfield appeared to late 20th-century postmodernists as a progenitor who appropriated mechanically reproduced images in a critique of consumerism and the media. As much as the strategies of Barbara Kruger, say, or Richard Prince in the 1980s recall Heartfield’s subversive montage, the comparison neglects a crucial aspect of the latter’s project: the dissemination of his work in mass-circulation communist newspapers, as posters, dust jackets, and in magazines and books. (1) A recent exhibition at the Getty Center, curated by Andres Mario Zervigon, effectively restored Heartfield’s oeuvre to its embattled political context and reminded viewers of the historical conditions in which it was so passionately produced. “Agitated Images: John Heartfield and German Photomontage, 1920-1938” includes examples of Heartfield’s early contributions to Dada periodicals; montages in AIZ and its incarnation in Czechoslovakia, Die Volks Illustrierte (Peoples Illustrated); and designs for his brother Wieland Herzfelde’s publishing company, Malik Verlag.

Side by side with Heartfield’s work were competing images and other materials from mainstream publications such as BIZ (Berliner Illustrierte Zeitung, or Berlin Illustrated News), Illustrierter Beobachter (Illustrated Observer) and Das Magazin. In venues like these and in posters plastered throughout the cities, an ideological “struggle of signs” was waged in interwar Germany. (2)

To convey a sense of this struggle, the exhibition opens with a group of photographs documenting campaign posters in situ in 1932, when Hitler and the Communist candidate Ernst Thalmann challenged the incumbent Reichspräsident Paul von Hindenburg. A hammer and sickle at the top of a column displaying Thalmann’s thrice-repeated image advertised his goals for constituents: “Work, Bread, Freedom.” Nazi posters on kiosks rehearsed the same rhetoric, in one case depicting a worker with a sledgehammer over his shoulder proclaiming, “We want work and bread! Vote Hitler!” Also photographed in several urban locations, a huge poster in red and white, designed by the expressionist Mjolnir, hangs high in the gallery. In this apparently ubiquitous image, a barechested man with raised fists and broken manacles wears a swastika on his belt buckle. “Enough already!” he cries, “Vote Hitler!” Identifying no issue other than mere dissatisfaction, the poster vied at the time with a similarly uninformative advertisement for Hindenburg declaring, “Vote for a man, not for a party!” A focus on personality over substance proved effective then as now: Hindenburg won the election, and appointed Hitler chancellor the following year.

Scenes of Hindenburg’s previous presidency appear in copies of BIZ, where we see him marching in parades, glad-handing voters, meeting disabled veterans. Displayed nearby, a photograph of the president outside his home, facing reporters with their cameras, suggests how strategically managed such apparently candid images were, even in the 1920s. Heartfield’s contempt for the subservience of the mainstream press to manipulations by the ruling class is expressed in a fullpage photograph he published in AIZ in 1930, which also taunts an uncritical readership. He shows the bust of a man in a workshirt–and harness–whose head is entirely wrapped in newspaper. Beneath this suffocating image, a caption admonishes, “Those who read bourgeois newspapers become blind and deaf. Away with these debilitating bandages!” Heartfield staged this particular photograph, to brilliant effect; mostly, however, he relied on familiar, preprinted materials and rendered them disturbingly strange. A grotesque photomontage of a snarling hyena in a battlefield strewn with dead soldiers occupied a two-page spread in AIZ in 1932. Weirdly, the animal wears a top hat and a cross-shaped medal of honor on a ribbon around its neck. The medal parodies the distinguished Prussian decoration “Pour le Merite” by a subtle intervention: Heartfield modified its inscription to read “Pour le Profit.” Below the montage, a caption declares “War and corpses–the last hope of the rich,” comparing the hyena who feasts on carrion to wealthy profiteers who grow fat off war.

Associating objects of hostility or ridicule with animals is a common device in caricature. Heartfield resorted to it in the provocative picture book he produced with leftist journalist and social critic Kurt Tucholsky, Deutschland, Deutschland, uber alles: Ein Bilderbuch (1929). Here a montage of eight elderly, bemedaled, right-wing Prussian patriarchs is cannily and maliciously captioned, “Animals are looking at you,” after a popular tome by nature writer Paul Eipper, Tiere sehen dich an (1928). (Challenged to defend Heartfield’s image, Tucholsky professed to dislike it, explaining, “insulting animals is not my taste.” (3)) For the cover of their book, Heartfield used the colors of the German flag–black, red and gold. On the back, two hands are shown, clutching a sword and a billy club respectively; with its caption, “sticking together fraternally,” the image presents imperialist aggression abroad and police brutality at home as twin expressions of capitalist domination. For the front cover, Heartfield cobbled together from various photographs a bust-length figure, part burgher, part military man, top-hatted, helmeted and mustachioed, sporting the familiar Pour le Merite. From this stout citizen’s mouth emanate the unnerving words of the book’s title in gothic script, “Germany, Germany, Over All.” It’s the same mindless patrioteering parodied by Heartfield’s friend George Grosz in his famous watercolor of flag-waving Republican Automatons (1920), produced just after the First World War.

Meeting Grosz in 1915, Heartfield had been moved to destroy all his own previous, romantic paintings and drawings. The two artists anglicized their names (from Helmut Herzfelde and Georg Gross) in defiance of the anti-English sentiment in wartime Germany. Three years later, they joined the German Communist Party (Kommunistische Partei Deutschlands, or KPD) and Club Dada in Berlin. Typical of Heartfield’s montages from this period is The Tire Travels Around the World, published on the cover of Der Dada 3 in 1920, a dense, energetic, Futurist-inspired jumble of textual snippets (one in Chinese) as well as photographic images of a tire, toothbrush, bicycles and Dadaist Raoul Hausmann’s shouting face. Tellingly, in one corner Heartfield inserts the phrase “Nein! Nein! Nein!” But one sees him in this exhibition abandon the pure negativity of Dada as, in his words, “the chaotic eruption of resistance, the protest against everything, gave way to a systematic and conscious pursuit of art propaganda in the service of the Workers’ Movement.” (4)

The photomontages now become organized and legible, with fewer elements arranged in an often believable pictorial space. By 1924, in a haunting poster displayed in the window of Malik Verlag on the 10th anniversary of the outbreak of the Great War, Heartfield relied on only three photographic components: a parade of little rifle-bearing boys in uniform, a row of huge skeletons looming over them, and a striding figure of the celebrated General Karl Litzmann, bristling with medals, sword, spiked helmet and an aura of military resolve. Titled Ten Years Later: Fathers and Sons, the image warns that another generation, inculcated in the nationalistic values represented by Litzmann, is doomed to suffer the fate of their slaughtered fathers. It was the year that Otto Dix recalled his horrific experiences as a soldier in the print portfolio Der Krieg (The War), and Kathe Kollwitz placed her hope in the figure of a determined pacifist youth in the lithograph Never Again War! Heartfield used photomontage instead to point accusingly at those culpable for the insanity of the prior conflict and for promoting conditions that would lead to the next.

He channeled his outrage, working creatively for class consciousness and political change, exhibiting his designs internationally in art contexts while participating in the collective agitprop efforts of the KPD. His best-known poster–reproduced a dozen times for “Agitated Images” and wrapped around a column in the gallery as it would have been plastered on kiosks in 1928–depicts a single worker’s hand, fingers spread, grasping for power: “5 fingers has the hand,” states the caption, “with 5 you seize the enemy/vote list 5 Communist Party.” Heartfield conceived the indelibly memorable image for that year’s Reichstag election, in which the KPD appeared fifth on the ballot. First test-marketed as a handbill, the poster entailed a collaborative effort, with the artist soliciting the cooperation of factory workers whose hands he had photographed and then lobbying vigorously within the party for approval of his strikingly simple design and its distribution during the last days of the campaign. (5)

Comparisons with contemporary Soviet design are offered in the exhibition via some photomontages by Heartfield’s comrade Gustav Klutsis celebrating worker solidarity and revolutionary achievements. Heartfield traveled in the USSR in 1931 and 1932, exhibited and lectured there and contributed to Soviet publications. One problem for worker propagandists was how visually to advertise the idea of proletarian power in collective action and as a common goal. Both Klutsis and Heartfield found a solution in an image subsuming, by means of montage, many small hands into a single monumental one. In Heartfield’s cover design for a special AIZ issue on anti-fascist demonstrations in 1934, a crowd of demonstrators delivering a simultaneous power salute assumes the contours of a single clenched fist through photographic superimposition. More obviously formulaic is the strategy, common in many later examples of Socialist Realism, of juxtaposing a proletarian mass with an outsize portrait of a visionary leader who symbolizes a unifying spirit. Heartfield resorted to the technique in Lenin’s Vision Became Reality (1934) for AIZ, where Lenin’s giant, disembodied head floats above a mass of people admiring a modern, Soviet-produced tractor. The great revolutionary had been dead for 10 years, but economic and technological progress was evidence, in Heartfield’s montage, of his legacy.

Heartfield was at his best, and to his enemies most dangerous, when raging against injustice and hypocrisy with ferocious satire. From Prague, he continued his visual attacks on Hitler and National Socialism, countering, for instance, the promotion of Aryan physical perfection and prowess in the 1936 Olympics with his riotous yet deeply disturbing montage Programm der Olympiade Berlin.

In Heartfield’s version, events include ax-swinging, with robed judges brandishing axes and pistols; rope-pulling, where Nazis drag along the ground a bound man with the sign “Jude” on his chest; check-riding, in which businessmen mount colossal bank notes instead of horses; and the finale, where the Luftwaffe provides “grandiose fireworks” by bombing a village. Incensed by his insults, the Nazis in 1938 demanded Heartfield’s extradition from Czechoslovakia, causing him to flee to England. He was the thorn in Hitler’s side that Honore Daumier had been to Louis-Philippe in the 1830s. “Agitated Images” makes this analogy with examples from La Caricature, the anti-monarchist weekly that published Daumier’s most barbed political satires. Along with the illustrated daily Charivari, the newspaper provided Daumier his broad-based audience. His medium was lithography, just a few decades old at the time. As his early 20th-century successor in political protest, Heartfield exploited another modern technology and its mass distribution, wielding humor like a grenade. We might look today for avatars of their unflagging resistance not in the art world but among media-savvy and hilarious comic-critics–like Jon Stewart, Stephen Colbert and Michael Moore.

“Agitated Images: John Heartfield and German Photomontage, 1920-1938” is on view at the Research Institute Gallery at the Getty Center, Los Angeles [Feb. 27-June 25, 2006].

(1.) Maud Lavin challenged a too-facile comparison of Heartfield with contemporary artists, arguing for a consideration of his modes of distribution, in “Heartfield in Context,” Art in America, February 1985, p. 85.
(2.) Sherwin Simmons coined this phrase in his discussion of political emblems used respectively by Nazi, Communist and Social Democratic parties during the 1920s, in “‘Hand to the Friend, Fist to the Foe’: The Struggle of Signs in the Weimar Republic,” Journal of Design History, vol. 13, no. 4, 2000, pp. 319-39.
(3.) Kurt Tucholsky, quoted in Douglas Kahn, John Heartfield: Art and Mass Media, New York, Tanam Press, 1985, p. 56.
(4.) John Heartfield, quoted in Nancy Roth, “Heartfield and Modern Art,” in John Heartfield, Peter Pachnicke and Klaus Honnef, eds., New York, Harry N. Abrams, 1992, pp. 20-21.
(5.) See Simmons, “Hand to the Friend,” pp. 329-30.

See also : Banksy | Freddie Baer | Gee Vaucher | George Grosz | James Koehnline | John Yates

Posted in Anti-fascism, Art, History, Media, State / Politics | Tagged , | Leave a comment

More Music & Politics

Everybody’s Welcum 2 The Hooley!

Everybody’s welcome to the hooley!
Everybody’s welcome to the hooley!
As long as you ain’t ructious or unruly,
‘Cos Everybody’s welcome to the hooley!

Ye eejits from white power, you can take a golden shower,
If you’re gonna come here spoutin’ all yer crap…
– ‘though we fly our colours, it’s no stick to beat no others,
Let’s make it clear we’re just here for the craic (fact: so no-one gets attacked!)

Everybody’s welcome to the hooley!
Everybody’s welcome to the hooley!
As long as you ain’t ructious or unruly,
‘Cos Everybody’s welcome to the hooley!

I think you are mistaken when you see our flags we’re wavin’,
You think we’re sayin’ somethin’ that we’re not:
After years of being oppressed, we’re just proud we can express
What we are, and not confused with what we’re not (& you bet yer life we’re not!)

Everybody’s welcome to the hooley!, etc.

All those people back at home now, who didn’t really roam now,
And are giving xenophobia a go…
– We’re the very last nation that can begrudge immigration,
So shut up to feck – ya make a holy show! (of all of us- with all your stupid fuss!)

So! Every body’s welcome to the hooley!, etc.

(Just repeat until everyone, kinda like, gets the general idea, y’know…)

[Wave of balaclava: Viola.]

:: NECK ::

:: THE WOLFE TONES ::

FRIDAY, JANUARY 22, 2010
Melbourne, Australia
@ The Forum Theatre

:: DEAD PREZ ::

MONDAY, JANUARY 25, 2010
Melbourne, Australia
@ The Espy

ALSO

Dutch theatre bans Russian nazi musicians
Radio Netherlands
January 5, 2010

Exclusive: Neo-Nazis launch web plot to attack Republican march in Glasgow
Stephen Stewart
Sunday Mail
January 10, 2010

See also : Cairde na hÉireann.

Campaigners ask capital’s pubs to ban far-right group
Jasper Hamill
The Herald
January 10, 2010

Edinburgh Anti-Fascist Alliance

The racist thugs of the “Scottish” Defence League are planning to march in Edinburgh on the 20th of February.

Their attempt to march in Glasgow in November failed miserably when about 50 of them had to be bused out of town by police for their own safety, after they were confronted by hundreds of antifascists.

Edinburgh Anti-Fascist Alliance has been formed to unite and coordinate the activity of all those who want to make sure that the fascists will get the same welcome in our city too.

See also : antifa notes (november 16, 2009) | [Don’t] Boycott the Birmingham | Hold Fast Body Art : “It’s (neo-Nazi) shit!”.

Bonus!

Added Bonus!

See also : Stop the Racist NT Intervention, Saturday, February 13, 2010, 2–5:00pm, MAYSAR, Gertrude Street, Fitzroy | International Justice for TJ Day, Memorial & Speak Out, Sunday, February 14, 2010, 10:15am. Assemble on the steps of the Fitzroy Town Hall, Napier Street, Fitzroy, then march on the Fitzroy Police station. Justice for TJ, Mulrunji, Mr Ward and all who have died at the hands of the racist state. Demand that the Redfern police are held to account. Immediately cease the practice of police investigating police misconduct. Implement the recommendations of the Royal Commission into Aboriginal deaths in Custody in full. Build the on-going struggle to stop Aboriginal deaths in custody. We will not forget! As Gail Hickey says: “Until we have justice, there can be no peace.” Organised by Indigenous Social Justice Association — Melbourne | December 20, 2008 : International Day of Action Against Murder by the State (Melbourne) | Free Lex Wotton Rally : Melbourne, Friday, November 7 (2008) | Lex Wotton on Trial (October 9, 2008) | 4 Corners : Lethal Force (October 26, 2009) | Copwatch Australia | National Indigenous Times.

Extra Added Bonus!

OBLIGATORY DEATH METAL ROOSTER VIDEO!

[One serve lemon mock-chicken: L.]

Posted in Anti-fascism, History, Music, State / Politics | Tagged , , , , , , , , , , | 5 Comments

Fighting war not wars: Enver Aydemir

First Muslim objector unites people of different ideologies
Özgür Öğret and Sevim Songün
Hürriyet Daily News
January 11, 2010

Anti-military groups are supporting Enver Aydemir, who is under arrest for refusing to perform military service, which he says would be in conflict with his Islamic beliefs. Though he does not want to be called a conscientious objector, Aydemir’s refusal to serve is bringing together supporters of different ideologies who share an anti-war stance.

Enver Aydemir, the 87th conscientious objector to military service in Turkey and the first known to refuse to take up arms due to his Islamic beliefs, has been arrested again.

Aydemir, 33, is refusing to wear a Turkish military uniform, saying he does not want to serve a secular army…

A rally was held in Ankara in solidarity with Aydemir on January 6. Police arrested many of those who attended, including Volkan Sevinç. Sevinç remains incarcerated. For more infos, please see: To all The Earth And The Comrades Of Conscience (January 10, 2010).

See also:

War Resisters’ International
Courage to Refuse
Iraq Veterans Against the War
Peace Action Wellington
Refuser Solidarity Network
Women’s International League for Peace and Freedom

Obama, the Middle East, and the Prospects for Peace, December 8, 2009:

“In a lecture reaching far beyond the designated topic of Middle East peace prospects, Noam Chomsky is sharply critical of Israel, India, Pakistan, President Obama, and the United States—which he calls a “rogue nation” and “the Godfather.” He accuses the U.S. of controlling Israel and undermining the two-state solution that would establish a Palestinian state.”

Posted in Anarchism, Death, History, State / Politics, War on Terror | Tagged , | Leave a comment

Bloggy Tuesday

Add New Link

Book

Anarchy Alive

Uri Gordon. 2008.

Zine

Last Hours

Last Hours is an online and occasional print zine for the anti-authoritarian, DIY and punk communities. It offers news, analysis, interviews and articles about radical culture, be it music, protests, events, books, zines or comix.

Shift Magazine

The first issue of Shift Magazine was published in summer 2007 and there has since been a new issue every 4 months. It is currently edited in Manchester.

The idea is to create a space for the exchange of radical ideas and strategies, though always with reference or direct relevance to organisation and ‘activism’. But we also want to make a political intervention into activist theory and practice. We take for granted that Shift readers are looking for debate on a non-state, non-capitalist ‘way out’. Yet, we will challenge all answers, as ‘radical’ as they may be, that will increase social control or that demand a movement for austerity.

turbulence

Turbulence is a journal/newspaper that we hope will become an ongoing space in which to think through, debate and articulate the political, social, economic and cultural theories of our movements, as well as the networks of diverse practices and alternatives that surround them.

Essay

Interview with Retort
Iain Boal
Pacific Free Press
October 25, 2009

…The name gestures to an obscure non-sectarian 1940s journal of that title, which at first we thought seriously about reviving. It was edited and published out of a cabin in Bearsville, a hamlet near Woodstock, New York. Retort‘s printing press had belonged to the eloquent Wobbly agitator Carlo Tresca before he was assassinated on the streets of Manhattan, perhaps by agents of Mussolini. The journal Retort was anti-statist, anti-militarist and published essays on art, politics and culture…

Multiculturalism & identity politics – the reactionary consequences and how they can be challenged
Independent Working Class Association
September 28, 2009

Recent weeks have seen racial tensions in the news once more, with the antics of the ‘English Defence League’ and those responding to them featuring high in the headlines. Like the BNP, the EDL claim to be defending the rights of the majority culture in the same manner as minorities, with support from their liberal sympathisers, defend theirs. As times get harder and the economic cake shrinks over the coming years, the battle for the crumbs will, as things stand, be fought along racial lines. This is the legacy of identity politics and multiculturalism.

Reviewing Black Flame
Majavu, Mandisi
November, 4 2009

In writing ‘Black Flame: The revolutionary politics of anarchism and syndicalism’, Michael Schmidt and Lucien van der Walt set themselves an ambitious task of writing a history of anarchism. I use the word ambitious mainly because, as Guerin (1970) once pointed out, it is difficult to trace the outlines of anarchism.

Its master thinkers rarely condensed their ideas into systematic works. If, on occasion, they tried to do so, it was only in thin pamphlets designed for propaganda and popularization in which only fragments of their ideas can be observed.

Schmidt and van der Walt, however, logically map the history of anarchism by showing that the ‘idea’ has, since the 1860s, inspired movements globally. As the authors of the book argue, one of its distinctive contributions is its global scope. Further, the book’s intellectual exploration goes deep, and, most importantly, the whole project is carried out with remarkable independence of thought. Schmidt and van der Walt write that what motivated them to undertake this project is the belief that the role of anarchism and syndicalism is indispensable to the understanding of modern history…

UK: Guide To Public Order Situations, updated January 2010
Wombles
January 1, 2010

– the aims & methods of the state
– hyper-edited version
– preparations
– the aims of the protestors
– sticking together
– precautions: surveillance, truncheon blows, chemical sprays, baton charges, dogs, horses, vans, tasers
– defending
– basic police choreography
– the dance steps
– line dancing or stopping lines forming
– counter-advancing: snow plows, using your body, reforming, snatch squads, de-arresting
– other links & contact details for comments on this guide…

Blog

Guerilla News

Guerrilla News was created as a place of refuge for members of the (now closed) GNN.tv community, but all are welcome. We are working towards creating an open news wire for the free discussion of current events and ideas.

Permapoesis

Interesting…

radicalarchives

a repository for online access to various texts I have [some body has] found while trolling through the archives of the radical political history of the 20th century (give or take a bit).

Audio

Audio Anarchy

Audio Anarchy is a project for transcribing anarchist books into audio format.

RIP OFF RECORDS

Let’s Have Music! (Fuck WMG.)

WE WANT REBEL MUSIC…

Crates

Crate People, Crate Men, Crate Man

Posted in Media | Tagged | 1 Comment

Mapuche / Kulon Progo / Fantin

Mapuche solidarity gig

WHAT: Alexandria / Encircling Spectators / Last Measure / Leprosy / Truth From Facts / More TBC…
WHEN : 7:30pm, Saturday, January 16
WHERE: Loophole, 670 High Street, Thornbury
COST: $10

ALL AGES.

WHY: An event to raise funds for a community-run radio station for the indigenous Mapuche peoples of central and southern Chile and southern Argentina.

The Mapuche peoples continue to struggle against neo-colonialism, harsh state repression and enforced poverty, and for territorial reclamation.

Strong community ties and effective communication tools help create strong and dynamic grassroots organisations and movements, thus community radio can help strengthen the Mapuche peoples’ struggles.

Come and show your solidarity with the Mapuche peoples.

For more infos, please see:

Latin American Solidarity Network (LASNET)
Pascual Pichún en Australia

Kulon Progo solidarity action report

report on january 11 rally
KP Solidarity
January 11, 2010

In response to a call for international support from the Association of Shoreline Farmers (Paguyuban Petani Lahan Pantai – PPLP), the Melbourne Anarchist Club (MAC) organised a protest outside the Indonesian Consulate in Melbourne this morning. Called at short notice and falling on a day when temperatures were forecast to exceed 45 degrees, the gathering was not surprisingly small (about ten in all), but made its point. A statement was read in English outside the front gate, and then in Indonesian at the back entrance – requests to be admitted to the building or to deliver a message directly to a member of the consulate were refused, but a member of the staff was busy with a camera, and an officer did agree to take a copy of the statement…

Fantin Reading Group

The ‘Fantin Reading Group’ is an anarchist reading group based in Melbourne, Australia.

We meet regularly to discuss anarchist and other radical texts.

The group is named in memory of Francesco Fantin, an Italian anarchist murdered by fascists in Loveday Internment Camp in Barmera, South Australia, on November 16, 1942.

Posted in Anarchism, History, Music, State / Politics | 1 Comment

Noam Chomsky on the Role of the Educational System

See also : The Herman-Chomsky Propaganda Model Twenty Years On, Westminster Papers in Communication and Culture (WPCC), Vol.6, No.2, November 2009.

Posted in State / Politics, Student movement | Tagged | Leave a comment