“Are you now or have you ever been a member of the Communist Party of Australia?”, Or; Campus Watch comes to Australia

As part of their campaign to ‘Make Education Fair’, the Young Tories have compiled a list of academics they claim are guilty of leftist bias. This is in addition to assembling a range of materials intended to establish that University campuses — just as their parents warned them — are Communist-inspired hotbeds of unAustralianism: radical feminism, animal rights, gay rights, trade unionism, socialism, and other, equally new-fangled concepts. In doing so, the Young Tories are following in the footsteps of the right on campuses in the United States, and the program championed by neo-conservative polemicist Daniel Pipes: Campus Watch.

The intent of this page is to showcase a small sample of the academics in Australia, to highlight the prevalence of radical views, the lack of diversity and the use of the education as an ideological weapon. The purpose of this list is to alert students to what they may expect from these academics should they take their courses.

In categories below, we have listed academics who fall into one of several categories

1) Academics in education faculties who believe that education is a legitimate tool for radical activism and social engineering
2) Academics who are members of leftist associations
3) Academics who are activists for left or far left causes, and hold views well outside the mainstream

A common element in academia is the continual obsession with race and minority cultures. This can be seen in the prevalence of ‘Black Studies’ or ‘Indigenous Studies’ centres on campus. Apparently, the only race that can be examined critically is the white race.

Thinkers as well as doers, the Young Tories provide the following analysis of how it is that the Red disease that eats away / all your fortunes day by day, came to exercise political hegemony over Australian Universities:

If you’ve ever wondered why so many academics are militantly left wing, perhaps a little history lesson is in order. Early last century, an Italian communist by the name of Antonio Gramsci theorised that for Socialism to be victorious, it would take what he called a ‘long march through the institutions’ – the family, churches, media, civic organisations and universities must be captured, radically transformed and subverted for the Marxist cause. While academics are entitled to their own political views, many of them are unashamed activists for political and ideological causes, such as radical feminism, animal rights and gay rights.

In this instance, the Young Tories are also taking their cues from the radical right in the US, as found, for example, in the writings of Linda Kimball: ‘Marxist Subversion and Perversion of America’s Youth’ (2006) and ‘Cultural Marxism’, American Thinker, February 15, 2007. The same thesis has been outlined by Bill Lind (‘The Origins of Political Correctness: An Accuracy in Academia Address’, 2000), and has preoccupied much of the ‘neo-conservative’, ‘paleo-conservative’ and radical right for several decades now. The subject is discussed at some length in ‘Reframing the Enemy’ by Bill Berkowitz (Intelligence Report, Summer 2003): “‘Cultural Marxism,’ a conspiracy theory with an anti-Semitic twist, is being pushed by much of the American right”.

Television commentator Pat Buchanan says it is being used to “de-Christianize” America. Washington heavyweight William Lind claims it is turning U.S. college campuses into “ivy-covered North Koreas.” Retired naval commander Gerald Atkinson fears it has invaded the nation’s military academies. Immigration activist John Vinson suggests it aims “to distort and destroy” our country.

“Cultural Marxism,” described as a conspiratorial attempt to wreck American culture and morality, is the newest intellectual bugaboo on the radical right. Surprisingly, there are signs that this bizarre theory is catching on in the mainstream.

The phrase refers to a kind of “political correctness” on steroids — a covert assault on the American way of life that allegedly has been developed by the left over the course of the last 70 years. Those who are pushing the “cultural Marxism” scenario aren’t merely poking fun at the PC excesses of the “People’s Republic of Berkeley,” or the couple of American cities whose leaders renamed manholes “person-holes” in a bid to root out sexist thought.

Right-wing ideologues, racists and other extremists have jazzed up political correctness and repackaged it — in its most virulent form, as an anti-Semitic theory that identifies Jews in general and several Jewish intellectuals in particular as nefarious, communistic destroyers. These supposed originators of “cultural Marxism” are seen as conspiratorial plotters intent on making Americans feel guilty and thus subverting their Christian culture.

In a nutshell, the theory posits that a tiny group of Jewish philosophers who fled Germany in the 1930s and set up shop at Columbia University in New York City devised an unorthodox form of “Marxism” that took aim at American society’s culture, rather than its economic system.

The theory holds that these self-interested Jews — the so-called “Frankfurt School” of philosophers — planned to try to convince mainstream Americans that white ethnic pride is bad, that sexual liberation is good, and that supposedly traditional American values — Christianity, “family values,” and so on — are reactionary and bigoted. With their core values thus subverted, the theory goes, Americans would be quick to sign on to the ideas of the far left.

The very term, “cultural Marxism,” is clearly intended to conjure up xenophobic anxieties. But can a theory like this, built on the words of long-dead intellectuals who have little discernible relevance to normal Americans’ lives, really fly? As bizarre as it might sound, there is some evidence that it may. Certainly, those who are pushing the theory seem to believe that it is an important one.

“Political correctness looms over American society like a colossus,” William Lind, a principal of far-right political strategist Paul Weyrich’s Free Congress Foundation (see group description, in Into the Mainstream) and a key popularizer of the idea of cultural Marxism, warned in a 1998 speech. “It has taken over both political parties and is enforced by many laws and government regulations. It almost totally controls the most powerful element in our culture, the entertainment industry. It dominates both public and higher education. … It has even captured the clergy in many Christian churches.”

The Young Tories’ campaign was launched late last year by the Liberal Party of NSW Division Inc, and has born fruit in the shape of a Parliamentary lemon: the Senate Inquiry into Academic Freedom, headed by lifetime Tory party hack Mitch Fifield. Last week, President of the Australian Young Liberals (Young Liberal Movement of Australia) Noel McCoy, presented the views of the campaign at a public hearing.

The Young Tories are not exactly strangers when it comes to the subject of controversies surrounding ‘radical feminism’, ‘gay rights’ or racism: At the 2007 Federal Young Liberal Convention “…the Young Liberals likened Aboriginal culture to rubbish and said 40,000 years of Aboriginal history could be ‘taught in one lesson'”. Two years ago, a small mob of rabid Tories chanting “We’re racist, we’re sexist, we’re homophobic” were featured on national television. More recently, in Queensland:

    1) Joshua Young, the University of Queensland student union president, allegedly made [questionable] comments on his MySpace social networking page. According to a copy of the page, Mr Young’s blurb about himself described going to drunken parties and “yelling at confused Asian students”. Mr Young, who has been a prominent Young Liberal, declined to comment at length until he consulted a solicitor, but dismissed the issue as “a political game someone is playing”.

    2) University of Queensland (UQ) women’s collective members discovered racist, sexist and homophobic messages covering the Women’s Room on the morning of September 17. The messages, scrawled over the wall and posters, included: “I hate queers, Asians, Negroes… and women”; “I like cock” and “I love the patriarchy”.

    3) [Joshua Young:] “As far as I am concerned, so long as the language used is not unlawful and no property was damaged, then the incident is a an example of the cut and thrust of student debate and politics. In the interests of keeping the peace though, I have asked for the offending graffiti to be removed.”

Barking.

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Originals: Gil Scott-Heron

Genius.

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Leeds Under Threat from ’90s Rap: BPP Takes Courageous Stand (to Popular Acclaim)

The British People’s Party (BPP) are awesome. Formerly known as the ‘White Nationalist Party’, on Saturday October 18, teh bizarros of teh BPP staged a public protest outside a record shop, HMV, in Leeds, England (Land of hope and glory, mother of the free / How shall we extol thee, who are born of thee / Australians all let us ring Joyce / For she is young and free / We’ve golden soil and wealth for toil / Our home is girt by sea / Et cetera et cetera et cetera). The ostensible purpose of the BPP’s rally was to draw the British People’s attention to Ice Cube’s album Death Certificate, his second studio album released in the United States on October 31, 1991 on Priority Records. According to Antifa:

When the ‘British People’s Party’ first announced their plans for an anti-Hip Hop demo in Leeds [August 19, 2008] this coming Saturday [October 18], they boasted of taking back the streets from “the filthy reds”. The architect of the demo, vile Kate McDermody, talked of it being the opening shot in a “Racial Holy War”. As the demo swiftly approaches, and the reality of ‘street politics’ beckons, it is clear that McDermody and her fellow fascist numbskulls are terrified.

The BPP’s budding alliance with elements of the National Front, and with the so-called “Racial Volunteer Force” and “British Freedom Fighters”, lies in tatters. Even McDermody wasn’t thick enough to think that a small group of aging boneheads could protect her from the righteous anger of the people of Leeds. She and BPP dogsbody Kevin Watmough had loose cannon Tony White arrested, and the Toytown Stormtroopers woke up to the fact that they were being sacrificed to McDermody’s ego…

Cruel perhaps, but fair.

In any event, according to reports, the BPP protest was tiny enough to rival the dizzying heights of popularity the (Orstralian) Patriotik Yoof League experienced during its very brief day in the sun. A mad Marxist from a Trotskyist groupuscule, for example, claims a mere eight BPP members and supports attended (mind you, they also claim the BPP is “headed by a man recently imprisoned for making nail bombs and downloading child pornography”; a reference, presumably, to Martyn Gilleard).

The same revolutionary yoof also claims that “Workers Power’s youth group, Revolution, led the demonstration”.

Another account, by sarah_a67, reckons the protest was organised by Love Music Hate Racism. (She also writes that “The police, who had been quite cooperative, stopping cars and stuff on the way, turned nasty when we were standing in the street. I’d not taken part in a march before, nor been at the hands of police brutality, but now I’ve done both.”) LMHR, in turn, writes: “Leeds LMHR & UAF activists were among hundreds in an excellent turnout in Leeds today against a risible protest by the Nazi “British People’s Party” against “black hip-hop”. Report to follow.”

Dave Kirk (of Trotskyist groupuscule, the Alliance For Workers Liberty) claims — correctly, as far as I can tell — that the counter-protest was called by Antifa, and half-heartedly supported by UAF (note that the local Leeds UAF group’s site is dormant). According to Dave, relatively few attended on behalf of UAF, and the majority of those who did take part were young anarchists and socialists (the trade unions having no formal presence). On the other hand, elsewhere the AWL claims that “Workers Power and ourselves [should] take credit for making sure that [the] political level was raised by [our sloganeering] and indeed that the counter-demo took place at all”.

In any event, in the absence of UAF control, the counter-protest was a little more lively than it might otherwise have been, and the 17 — yes, that’s right: seventeen — neo-Nazis organised by the BPP to mope about outside a record shop were massively outnumbered, both by police and their political opposition. Had the BPP not arranged for police protection, it’s highly likely their re-emergence on the streets of Leeds would have been short and sweet. The BPP itself claims “Twenty one, yes a mere twenty one, BPP members and supporters stood tall amongst hundreds of Marxist scumbags in Leeds city centre yesterday.”

Today Leeds HMV; tomorrow, the world!

Among those who attended, in addition to the comical leader of the BPP, Kate (Mc)Dermody, was an 11 year-old grrl. She angrily demanded ‘White Music For White People’ — apparently — although I suspect HMV has sold out of Prussian Blue. Sadly, in disappointing news for spotters, Wigan Mike didn’t brave the Marxist hordes in Leeds: his absence, presumably, an exercise in solidarity with his neo-Nazi comrade Tony White. Unfortunately for Tony, he was recently arrested by police for possession of racist material — allegedly as a result of information supplied to them by the BPP. As for the hundreds of police temporarily recruited by the BPP as their security detail, they came at a price, as the Party’s fuehrer provided ZOG — ZOG! — with the names of all those attending.

As ever, the most entertaining and informative account of the BPP’s practical demonstration of White supremacy on the streets of Leeds is provided by Antifa. In summary: “What we saw in Leeds yesterday was the reality of the BPP’s attempt to “take back the streets”: a pitifully small, ramshackle collection of aging neo-Nazis, hiding behind a huge police presence, not even close to a member of the public, moaning half-pissed to each other for 45 minutes, then scuttling off like a nonce beneath a blanket”. Equally comic is Kate’s take:

After thinking about yesterday I have remembered a few things that I just wanted to mention. First off was Jess, the eleven year old boy who showed us all what pride is all about when he went straight to the front and stood on top of the barrier with a flag flying from his hand and screaming ‘red scum’ at the degenerates gathered ogainst us. He was an absolute inspiration to every Nationalist in this Country.

Brings a tear to your eye doesn’t it?

…and the other mob

Of course, the BPP is merely the poor retarded cousin of the British National Party (BNP), and while Kate (Mc)Dermody may one day be transported to the colonies for her many crimes against common decency, good taste, logic, reason and the English language, Nick Griffin, the BNP’s Fuehrer-for-Life, is in the process of applying for a visa to enter Australia in December. A newly-formed leftist thinktank called Catalyst is calling on the Australian Government to deny Griffin a visa. On October 17 the Minister for Immigration and Citizenship Chris Evans released the following statement to Catalyst, which merely reiterates the legal situation:

All non-citizens who wish to enter Australia must satisfy the requirements of the Migration Act and regulations, including the character test.

The character test includes provisions to ensure that a non-citizen will not vilify, incite discord in or represent a danger to the Australian community, or a segment of that community.

Griffin has not yet applied for a visa. If and when an application is made it will be assessed against the character requirements.

The Labor Party strongly opposes the fostering of extremism, hatred, division and incitement to violence.

Elsewhere, Irfan Yusuf has expressed his opinion on the question ‘Nick Griffin: to visa or not to visa…’, (Crikey/Planet Irf, October 16, 2008).

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More Nasty American Psycho Boy ’80s!

More ’80s. Wisconsin’s finest Killdozer perform the original ‘Nasty’, later covered by Janet Jackson:

‘American Psycho’ – the musical
Chris Green
Independent.co.uk Web
September 27, 2008

With his shockingly gory novel American Psycho, Bret Easton Ellis examined the decadence and greed of Wall Street workers during the Ronald Reagan era through the eyes of a self-professed homicidal maniac. Now a musical theatre version is to be created for Broadway…

The novel contains a number of lengthy chapters in which the main character waxes lyrical about his favourite musical acts of the era, including Genesis, Whitney Houston and Huey Lewis and the News. The prominence of Eighties music in the book is assumed to have inspired the Broadway version, and will undoubtedly influence its score, although the project will have to secure the rights to any tracks that it wishes to use…

GENESIS

Patrick Bateman: Do you like Phil Collins? I’ve been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn’t understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins’ presence became more apparent. I think Invisible Touch was the group’s undisputed masterpiece. It’s an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don’t you, uh, dance a little. Take the lyrics to ‘Land of Confusion’. In this song, Phil Collins addresses the problems of abusive political authority. ‘In Too Deep’ is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I’ve heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins’ solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like ‘In the Air Tonight’ and ‘Against All Odds’. Sabrina, don’t just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is ‘Sussudio’, a great, great song, a personal favorite.

WHITNEY HOUSTON

Patrick Bateman: Did you know that Whitney Houston’s debut LP, called simply Whitney Houston had 4 number one singles on it? Did you know that, Christie?
Elizabeth: [laughing] You actually listen to Whitney Houston? You own a Whitney Houston CD? More than one?
Patrick Bateman: It’s hard to choose a favorite among so many great tracks, but ‘The Greatest Love of All’ is one of the best, most powerful songs ever written about self-preservation, dignity. Its universal message crosses all boundaries and instills one with the hope that it’s not too late to better ourselves. Since, Elizabeth, it’s impossible in this world we live in to empathize with others, we can always empathize with ourselves. It’s an important message, crucial really. And it’s beautifully stated on the album.

Hugh Anthony Cregg III AND THE NEWS

Patrick Bateman: Do you like Huey Lewis and The News?
Paul Allen: They’re OK.
Patrick Bateman: Their early work was a little too new wave for my tastes, but when Sports came out in ’83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He’s been compared to Elvis Costello, but I think Huey has a more bitter, cynical sense of humour.
Paul Allen: Hey Halberstram.
Patrick Bateman: Yes, Allen?
Paul Allen: Why are there copies of the style section all over the place, do you have a dog? A little chow or something?
Patrick Bateman: No, Allen.
Paul Allen: Is that a rain coat?
Patrick Bateman: Yes it is! In ’87, Huey released this, Fore, their most accomplished album. I think their undisputed masterpiece is “Hip to be Square”, a song so catchy, most people probably don’t listen to the lyrics. But they should, because it’s not just about the pleasures of conformity, and the importance of trends, it’s also a personal statement about the band itself.
[raises axe above head]
Patrick Bateman: Hey Paul!
[he bashes Allen in the head with the axe, and blood splatters over him]
Patrick Bateman: TRY GETTING A RESERVATION AT DORSIA NOW YOU FUCKING STUPID BASTARD! YOU FUCKING BASTARD!

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The Pig Was Cool

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Something To Prove

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Haider: He was a superstar (at the gay bar)

To be young, gifted and black drunk, speeding and gay…

Austrian fascist leader visited gay bar before death crash
PinkNews.co.uk
October 17, 2008

The former leader of the far right in Austria was drinking in a gay bar the night he died, it has emerged.

Joerg Haider had never been open about his homosexuality, but his habit of surrounding himself with handsome blond teenagers had led many to speculate.

    Newspapers in his homeland said they were reluctant to publish “full details” of his homosexuality fearing an outburst of hate towards the gay community would overtake hatred towards foreigners. According to German daily Taz, many members of Vienna’s gay scene claimed he regularly had sex with young men below the age of consent – 18 for homosexuals. As a result Taz wrote: “These days he prefers to meet with boys from nearby Slovakia” (where the age of consent is 15).

The German and Austrian press outed the married father of two daughters in 2006.

His fascist political views led him to high office in Austria, despite his open praise for Nazi policies.

Haider died in a car accident on Saturday morning near Klagenfurt, less than 30 minutes after leaving the Stadtkraemer, a well-known gay hangout.

Prosecutors have confirmed there was four times the legal limit for alcohol in his blood and he was driving at twice the legal speed limit when he crashed his VW Phaeton.

Haider, 58, was the Governor of the state of Carinthia.

Thousands of people are expected to attend his funeral today, and police are prepared for clashes with anti-Nazi protesters.

News of Herr Haider’s homosexuality has prompted one local expert to quip ‘Fascism is a fag’. But the truth of the matter is “Whether old or young, lesbian or gay, fascism is never cool”. Funnily enough, Haider combined Ian Stuart’s driving skills with the sexiness of Ian’s best mate and co-founder of Blood & Honour, Nicky Crane: all three are dead now, sadly, although only Ian and Joerg are remembered.

See also : Racism in Austria (September 29) | Joerg Haider: The Ian Stuart Donaldson Driving School’s latest graduate (October 11) | Jörg Haider launches new genre of video (October 15) | Joerg Haider : Bloody idiot (October 16)

Posted in !nataS, Anti-fascism, Sex & Sexuality | 4 Comments

Overthrow.com

Update (October 19) : Poor old rich young Bill get arrest: Va. supremacist arrested, Associated Press: “A white supremacist has been charged with threatening a federal juror. Assistant U.S. Attorney Tom Bondurant says William White was arrested Friday and charged with obstruction of justice. White is commander of the Roanoke-based American National Socialist Workers Party. Bondurant says the charge involves threatening the foreman of a Chicago jury in the case of Matthew Hale, who was convicted in 2004 of soliciting the murder of a federal judge. Hale was the leader of the World Church of the Creator, which held similar neo-Nazi beliefs as White’s organization. White told The Roanoke Times that he had posted information about a juror on his Web site, Overthrow.com, but that he had made no threats. White was being held without bond on Saturday.” Neo-Nazi arrested, jailed on federal charge: “William A. White of Roanoke has been charged with obstruction of justice, an assistant U.S. attorney says”, Laurence Hammack, The Roanoke Times.

Western Civilization Teeters on Brink as Zionist Occupation Government Acts to Suppress The Voice of the Commander of the American National Socialist Workers Party Et Cetera Et Cetera Et Cetera.

In other words: White’s Web site closed by FBI: Overthrow.com has been off-line since federal officials seized computer equipment. “Oct 17, 2008 (The Roanoke Times – McClatchy-Tribune Information Services via COMTEX) — Federal agents have reportedly seized computer equipment from a Roanoke-based white supremacy group, at least temporarily shutting down a Web site used to spout racist rhetoric. Overthrow.com, which is run by William White, the commander of the American National Socialist Workers Party, has been off-line since last weekend…” No doubt William will be back to his old tricks in a few days.

http://overthrow.com

On a related note, because the ANSWP asks whether that “nigger” Obama oughta be killed — and well I saw it on the television…

“Niggers Ain’t Gonna Run This Town”: Militancy, Conflict and the Sustenance of the Hegemony in Bogalusa, Louisiana
Seth Hague

The battle for civil rights in Bogalusa, Louisiana was a struggle for power, but it was different from the prototypical struggles in the agricultural South during the 1960s. Industrialization is the main reason for this difference, as the black laborers met challenges distinctly different than the problems associated with the struggle in the agricultural South. Oppressed rural black populations were much more inclined to follow the leadership from groups like CORE and SNCC, whereas the laboring class of blacks in industrialized towns such as Jonesboro and Bogalusa fought themselves for power and demanded that outside coalitions like CORE follow them. They exercised militancy, embedded in them as the result of the rigid class-consciousness imposed by an oppositional white power structure, through an armed self-defense organization they created known as the Deacons for Defense and Justice. The efforts already made by the Jonesboro black laborers, entrenched in a similar situation in another industrialized Louisiana mill town, further inspired militancy in Bogalusa. Once Crown-Zellerbach laborers A.Z. Young and Robert Hicks assumed leadership of the (all-black) Bogalusa Civic and Voters’ League, the community came to embrace the militant rhetoric of the Jonesboro Deacons. Many violent conflicts ensued under this ideology and culminated in a climactic summer in 1965. Consequently, the black workers’ militancy threatened not only the power of the middle class blacks, but also the political and economic hegemony of the white power structure in Bogalusa. Except for a few noteworthy courtroom “victories” versus Crown-Zellerbach, threatening the power structure was virtually the struggle’s only effect as the white power structure subsumed the militancy and rhetoric of the revolutionary Bogalusans…

See also : The Education of Lance Hill, Allen Johnson Jr, Gambit Weekly, July 6, 2004 | White Privilege // Whiteness Studies, October 7, 2008

Posted in Anti-fascism, Media, State / Politics | 13 Comments

Music. Has. No. Meaning.

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Tutti Parze Krusty Punx Rave On

    everything old is new again… in sydney, tutti parze has re-formed… or gotta myspace page at least… in melbourne, reactor records has released RR22, ‘depression — the reactor years’, 40 tracks of classic punk rawk, featuring their debut 7″, debut album, ‘Australia Australia’ 12″ ep and a couple of previously unreleased 1982 demos. available direct from reactor records — P.O. Box 623 Camberwell Vic 3124 // [email protected] — or from missing link for the measly price of $22… on ozpunk history, see regression zine…

t u t t i p a r z e : crazy crazy knights

the recordings that are up [on the tutti parze myspace page, from which this post is stolen] were recorded in 1990 at troy horse in newtown, sydney. we are rehearsing at the moment, got down some early songs and we have written a few new ones. if you liked us then, we sound a fuckin’ lot better now! this recording [1990] is wil and donna/vocals.. spin/bass.. billy/guitar.. simon/drums and i think it was spacy, stu and mega doing backing vocals on the chant on ‘it’s time now’.

many people have been involved with tutti parze in the past, so a list of some seems appropriate, they are- wil.. spin[r.i.p].. donna.. billy.. simon.. jenny[r.i.p].. nipper.. space.. keith.. stu.. mega.. damian.. the jellyheads collective.. those comrades that helped cook the food.. brothers and sisters that helped lug gear [especially when we had to escape fast from newtown festival after a rather outrageous performance] some heavily involved, some in passing but all contributed. its to the members that have passed away we dedicate our future work as tutti parze, you are dearly missed but never forgotten, comrades to the end now returned to the void. form to formlessness, formlessness is form.

tutti parze formed in the palmer street squat, bringing together some sydney punx, some melbourne punx and some punx living on a commune in mullumbimby rainforest nth nsw. as band members were spread over nearly 2000km it seems amazing they managed to pull anything together at all. for all the personal problems and fuckups i guess we didn’t do too bad. tutti parze were maybe the first of the crusty anarchist punk bands in sydney. all the first gigs were free, with free weed from nth coast communes, free vegan macrobiotic food, heaps of propaganda and a smattering of taoism. most were held at the randwick racecourse hotel and they tolerated the slightly illegal behavior of the band and its audience. tutti parze played with other likeminded bands like Mahatma Propaghandi, i am bacteria i am filth, Fred Nihilist, deviant kickback, mental health, Warp Spasm, subliminal pressure, compost, Mutiny, tofu terror, blind ambition and many others.

    the fred nihilist 7″, ‘liberation’, is really neat! you can buy it from clinton @ shamefilemusic.com. supposedly, only 200 copies were made… on aboriginal land some time prior to world war three… a long time ago… when i went to a mutiny gig @ the empress… i gotta demo tape, 1992 i think it was… which the lazypommybastard bren will one day supposedly upload on to teh intertubes… along with the two-year olds’ demo… ‘warp spasm’ is also a gaelic term, riastradh, and refers to the ability of ancient warriors to gosickmate in battle… mahatma propaghandi morphed into non bossy posse –> vibe tribe –> ohms not bombs… the randwick racecourse hotel also played host to neo-nazi bands like white lightning, whose most recent reincarnation is t.h.u.g.: t.h.u.g. play regularly around sydney with all the usual suspects (avo, blurters, corps, homicides, rust, toe to toe), and whatever former divisions there were between anti-racist and anti-fascist punks, on the one hand, and boneheads, on the other, have mostly dissolved with time… a similar development has occurred in melbourne over the last few years, and is also now evident in perth…

    ‘Show Us You Care’, pioneering crust / grindcore from Ipswich’s finest: Extreme Noise Terror! Grindcore: “Fiercely political lyrics, grinding guitars, extremely fast tempo, and often very short songs.” (Antonym: pop punk.) Album: Earslaughter, split LP with Chaos UK on Manic Ears Records (1986). I swapped my copy… D’oh!

    You say we won’t change nothing
    But at least we’re fucking trying
    Say we’re always moaning
    But at least we fucking care
    Say we should be happy
    We’ve tried to but we can’t
    Say we should see sense
    But we already fucking have

    Use your shit-filled minds
    And show us you fucking care

    You don’t care about the rich
    As long as you’re not poor
    Don’t care about vivisection
    ‘You cannot change the law’
    Don’t care about the police force
    Because they haven’t beaten up you
    Don’t care about the starving
    Because it’s nothing new

j e l l y h e a d s : omg! punk for the punx! eeek!

after a while the scene grew and realized it had its own economic power and that too much money was going to big corporations who owned either the pubs or the alcohol. a meeting was held at the old newtown cemetery and out of that meeting came the jellyheads collective [nearly all activist/anarchist bands and groups were represented on the collective]. after that meeting nearly all gigs were held in community halls with the money going to jellyheads so a venue that was run and organized by the scene could be rented [a permanent squatted venue just wasn’t an option in sydney at the time]. eventually enough money was raised and a two story building with a courtyard was rented behind the brewery right in the city near central station.

this was what everybody had wished for.

a pool table and video projector was put upstairs where film nights were held, and a vegan cafe, stage and p.a. downstairs. many bands, fundraisers for different causes, different community groups and students used the space, even running kids’ days. it also had its own newspaper, printed by the prisoners action group, who had a space upstairs. this is where most tutti parze gigs happened, with only the rarest organized as a fundraiser by someone else at a pub. it was because of the collective’s politix and bands like tutti parze’s revolutionary position, their access to and spreading of ideas to young people (now including those outside the anarcho punk ghetto) and the active spreading of anti-authoritarian propaganda — and most probably tutti parze’s blatant disregard for the law — that the authorities started to take an interest. tutti parze often were seen to encourage their audience to break the law, and it may have been for this reason the police chose a tutti parze gig to raid jellyheads.

this did not exactly go as the cops expected, with a slight ‘roughing up’ and isolating of the undercover cops who infiltrated before the raid [everyone knew who they were], the ‘collection’ of a police hat and radio that was used to negotiate the release of 14 audience members detained by the cops, and the cops ending up leaving with no arrests/captives. tutti parze then played a ripper of a victory gig. but the cops would learn from their mistakes.

around 1991 a gathering of the tribes was held in nimbin, a town established by hippies after the aquarius festival in the early ’70s. this brought punx and bands from the whole east coast of australia together for 3 days of chaos and fun, with many staying at the now [sadly] defunct terania creek vegan anarchist community.

    In August 1979 a contingent of 100 police arrived in Terania Creek to ensure a bulldozer could resume work on reopening a logging track to be used by sawmillers. However, courageous people stood firm in a protest that lasted for over a month, compelled to save a part of the largest single area of subtropical rainforest in Australia, the Big Scrub. In 1979 only 2% of the big scrub remained. Terania Creek was the first time direct action tactics were used anywhere in the world in the defence of a forest. The image of somebody defying a bull dozer is somewhat cliche these days but in 1979 it was a bold new idea. The scientific debate that ensued had a profound impact on rain forest policy throughout Australia. Terania Creek was finally protected, becoming part of Nightcap National Park, and its spectacular waterfall was consequently named in honour of the protestors.

d o o f d o o f d o o f : helga makes musical history

with the onset of dance music culture, massive sound systems and noise complaints, jellyheads folded, the end of the first and only alternative venue in sydney. punx picnics continued (with bands); police tolerating the stolen electricity [or they didn’t know]. members of tutti parze started to want different things out of the band and to go in different directions. the scene was changing fast, not always for the better, drugs being a major problem emerging in the scene and like all good things tutti parze eventually disbanded after what may have been one of their best, tightest and most powerful sounding gigs. the party was over, long live the party!

    “Existing pre-doof in Sydney in the eighties and early nineties, there was a collective called The Jellyheads, a group dedicated to transmitting anarchist principles at a time when the main liberationist and anti-corporate mantra was transmitted in the west through punk music. Jellyheads community fundraisers and gigs had Crass/Conflict style local bands, vegan cafes and info on various activist operations like ‘Stop the City’. Sydney Park was originally reclaimed as a music space by this tribe with the Punk Picnics still a regular annual event in town. The initial free techno parties were mistrusted by some of the punk contingent. Graffiti in the park read “Kill Non Bossy Raver Scum, Techno=Disco”, representing the sentiment of those few who didn’t understand that the emerging techno movement was in it for the same reasons. A group called Mahatma Propaghandi created a bridge from full-on punk power to more Balearic rhythms and dance grooves containing the same liberationist message. As members of Jellyheads turned on the acid house explosion, the Vibe Tribe – a loose collective of people drawn together to channel a powerful energy through allowing events to present themselves with maximum community involvement and co-creation – was born as a response to the mainstream commercialisation of the new rave craze.” ~ Peter Strong, ‘Doofstory: Sydney Park to the Desert’, in Free NRG: Notes from the Edge of the Dancefloor, edited by Graham St John, an OzAuthors/Pluto Press co-production, 2001

band members then spread around the australia, s.e. asia and the usa forging new lives and getting to know who they are, starting families and generally finding out what they wanted from life outside tutti parze. becoming travelers, activists, perfecting or learning a trade, lecturers, teachers and cooks, starting new musical projects or working in community health and development. as was said before, some would make it and, sadly, some would struggle and lose. it would be nearly 20 yrs until all surviving members would finally touch base with each other again… but time heals all wounds so don’t be surprised if, like rotten old zombies, tutti parze rise from the grave some place, some time, when least expected but most needed…

thank you all who were involved in the past and those in the future, sorry to those we failed to mention… cheers [oh yes don’t forget the warehouse and black rose anarchist bookshop, cheers for your support in the past], our politics may have changed over the last 20 yrs [we no longer believe in violent revolution] but we still believe we can all create a better world… peace, love and anarchy. only through cultivating the mind and body will this objective be achieved, something we can only do ourselves. if we want to change the world for the better we must change ourselves for the better, it is to this end we encourage our comrades on the path to realization and manifestation of the grand ultimate, return to the state of the uncarved block. TUTTI PARZE… stand together as individuals, united for a common good
thanks to all those who cared, love, peace & friendship
TUTTI PARZE – 2008
please correct the bad spelling and punctuation, we’re punk rockers after all!

    Hungry Dave (Regression) : The Sydney scene continued into the ’90s but it was said that it had seen better days re: lack of venues, a lot of people getting out of punk and wanting to play more complicated or hip music like techno-metal or slap-funk or whatever. None the less a few bands kept it going… [Tutti Parze] was one of the most popular. Musically they were in the vein of British hardcore (Crass, Concrete Sox, Discharge) with extreme class war lyrics [lol]. The band formed in 1988 and broke up in 1991.

    a p p e n d i x : the adventures of pink cadillac, melbourne, november 2006

See also : uncarved.org // oldpunksneverdie.com (October 2, 2008) | Keep racism out of music (September 27, 2008) | Old punks never die… (July 20, 2008) | Safety In Numbers / Kill Your Pet Puppy / CRASS (July 4, 2008) | The Punk Years (May 14, 2008) | Bloggy Thursday Anarchy // The Baldies + 20 (March 13, 2008) | What is this gay community shit? (March 9, 2008) | “Sounds of Hate” revisited… again (November 29, 2007) | DOA : Smash the State, “anarchy is a fag”, and neo-Nazis armed with pipes and bottles (October 19, 2007) | Slammy: Presente! (August 3, 2007) | “Stop! Hammer time!” Or: Boneheads and Baldies (July 26, 2007) | “Animal World” : The Last Words (July 10, 2007) | “I get so emo, I could die” / Drop the attitude, fucker / In music, nothing happens… (April 30, 2007) | First Ungdomshuset, now Blitz (April 10, 2007) | Anti-fascism in Melbourne: 1990s (March 20, 2007) | G20: Chris Tinkler and News Corporation contribute $10 to a drink-and-drug-fuelled all-ages protester orgy! (March 18, 2007) | The Youth House stays; or Copenhagen burns (March 4, 2007) | Evicting the Ungdomshuset makes baby Jesus cry… and social democrats smile (March 2, 2007) | “We’re not Nazis, we’re punk-anarchists”! (February 28, 2007) | Vegan punk A Matter of Record (January 24, 2007) | ‘We need to push and shove and throw things’ (October 21, 2006) | The Continuing Appeal of Crasstafarianism (October 4, 2006)…

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